Every year, a different theme is identified for the research project, by pairing a scientific subject with a specific textile technique. The yearly focus between November 1, 2020 and October 30, 2021 was set on “Biotechnology and Natural Dyeing”. The practice-led activities included setting up a DIY biotechnology/natural dying workbench in the project’s studio space and conducting hands-on research inspired by conversations with the project’s extra-disciplinary advisor in microbiology, Dr. Lisa Kappel.
Tsing, Anna Lowenhaupt, ed. Arts of Living on a Damaged Planet. Minneapolis: University of Minnesota Press, 2017.
Vejar, Kristine, and Adrienne Rodriguez. Journeys in Natural Dyeing: Techniques for Creating Color at Home. New York: Abrams, 2020.
Casselman, Karen Leigh. Lichen Dyes: The New Source Book. Mineola, NY: Dover, 2001.
Tsing, Anna Lowenhaupt. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton and Oxford: Princeton University Press, 2021.
Buchanan, Rita. A Weaver’s Garden: Growing Plants for Natural Dyes and Fibers. Mineola, NY: Dover Publications, 1999.
Desnos, Rebecca. Botanical Colour at Your Fingertips. London: Rebecca Desnos, 2016.
Chenciner, Robert. Madder Red: A History of Luxury and Trade: Plant Dyes and Pigments in World Commerce and Art. Caucasus World. Richmond: Curzon, 2000.
Jacqué, Jacqueline, ed. Andrinople, le rouge magnifique: de la teinture à l’impression, une cotonnade à la conquête du monde. Paris: Éd. de La Martinière [u.a.], 1995.
Kimmerer, Robin Wall. Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Minneapolis, Minn: Milkweed Editions, 2013.
Bessette, Arleen R., and Alan E. Bessette. The Rainbow Beneath My Feet: A Mushroom Dyer’s Field Guide. Syracuse, NY: Syracuse University Press, 2001.
Haraway, Donna Jeanne. Staying with the Trouble: Making Kin in the Chthulucene. Experimental Futures: Technological Lives, Scientific Arts, Anthropological Voices. Durham: Duke University Press, 2016.